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马库斯·梅斯纳是一名性格内向、学习成绩优异的大学新生，他为终于能摆脱因为担心他安全而唠叨不断的父母感到轻松。马库斯在图书馆学习时邂逅了美丽的女学生奥利维亚·赫顿，两人很快便陷入爱河。因与室友发生口角，马库斯搬到学校另外一间宿舍，但却因此被校长训导了一番。校长认为马库斯存在社交问题，并试图就学校中的很多问题说服他屈从，但马库斯坚持己见，与校长据理力争，突发阑尾炎住进医院。入院后的马库斯因为奥利维亚的频频探望感到十分快乐幸福，并畅想着与她未来的生活。听闻他生病的消息，马库斯的母亲匆匆赶来，在发现奥利维亚手腕上因自杀导致的伤痕后要求二人分手。奥利维亚消失了，马库斯找到校长才得知有精神病史的奥利维亚再次精神崩溃被送去医院治疗。面对父母神经质般的过度担忧、学校教条的教育方式、爱人的离开，年轻的马库斯内心压抑的情绪爆发，他走向了硝烟弥漫的战场。影片改编自菲利普·罗斯2008年出版的同名小说。
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本片在2011年圣丹斯电影节上获得剧情片评委会大奖，女主角也赢得评委团特别奖。安娜Anna（菲丽希缇·琼斯 Felicity Jones 饰）是来自英国的留学生，雅各布Jacob（安东·尤金 Anton Yelchin 饰）是土生土长的美国人。他们就读于同一所大学，不久两人相恋并过上了甜蜜的同居生活。可安娜的护照签证即将到期，为了爱情她留在美国，可移民局找上了门来强制遣送她回国，并宣布她永远不能再次踏上美国国土。远距离的恋爱让两人备受煎熬，在爱情的驱使下，雅各布一次次踏上了去英国寻找爱情的旅途。可紧跟着距离是不断发生的争执，两人分手了。随着时间推移两人在各自的国度都有了新的生活，可彼此心中却割舍不下彼此。他们会为了爱情再不顾一切的疯狂一次吗？这份热情还会跟当初一样吗？ ©豆瓣
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Tillie, a floundering young woman and her charismatic, alcoholic father, struggle to resolve their fractured relationship in the weirdest possible way: after he dies, his ghost appears in mirrors to haunt everyone in the family but Tillie. Tillie’s family must do everything they can to make Tillie see her father or else they will be plagued by this ghost forever.
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Michael Shannon directs an adaptation of Brett Neveu’s 2002 play about a mother coping with the fallout after her son murders three of his high school classmates. Janice (Judy Greer) is struggling; she moves through life as if in a haze, unable to let go of her anger and frustration. While her husband (Alexander Skarsgård) has found refuge at a new church, Janice finds it hard to seek solace in her faith despite her pastor’s pleas to heal her wounds by meeting with the mothers of her son’s victims. As Janice ponders what that meeting could achieve for her and her community, Eric LaRue asks audiences to witness the frayed emotional ripples that violent acts can engender.
Anchored by Greer’s deeply arresting performance, Shannon’s directorial debut grapples head-on with frustratingly timely conversations about who deserves our compassion and grace. Standout supporting turns by Tracy Letts and Alison Pill, who capture a subtly unnerving vision of spiritual fanaticism, stress the film's interest in complicating facile views of atonement and forgiveness in light of such tragedies.
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